A good time for art

America's economy is in danger. A generation-defining election is a month away. And change in the U.S. of A seems inevitable regardless of the outcomes of the economy or the election. Across the Atlantic, South Africa is dumping its sitting president, Nigerian oil revolutionaries have declared war, all the while Zimbabwe is attempting to balance itself out with some sort of wobbly power sharing agreement. With a plethora of other shifts and turns going on around the world, I can conclude to only one thing: Right now is a good time to make art. Why do I say this? Well, when else is a better time to influence the direction of culture than when it is naturally (or unnaturally) moving on its own? Artists are cultural workers, meaning they influence and critique culture to a point where they could actually have an effect on policy. Thus, given the cultural climate of today's world, more specifically RIGHT NOW, there is plenty of room and opportunity for artists to mold, create, and contribute to new, dynamic cultures and ways of being.


This "Now" that I speak of is partially rooted in the idea that hardship is a catalyst for change. While it is not true that only hardship brings change, artistically speaking, it is true that hardship has always inspired the best art. When people's backs are against the wall they tend to do one of two things: become more conservative and fear-ridden, or they take more risks and let it all hang out. For those artists who have the confidence and courage to take on the world's problems while still dealing with their own personal problems, this could be what they have been waiting for. From fighting Jim Crow and injustice in America to fighting apartheid in the Free South Africa movement, artists have defined periods in history with their work when they chose to seize the moment. This could be ours. Imagine painting that picture of the faces and spaces and places that define our current reality: Obama and the "next generation"; drizzle and rain on a sunny day; the turn in the American psyche. Imagine penning that song that your children's children will sing, study, and enjoy, getting a feel of what it was like to be alive now right now. Imagine....just imagine.


The most important time in history is now. As artists, it is our job to interpret and reinterpret the times that we are living in. Though hardships and unforseen changes are eminent, we can turn this into a cherished moment in time. We need to take chances and step out of the box, out of our comfort zones. We need to let it all hang out, invest in the moment and behave like tomorrow is not promised. We can do this and stay above the fray if we keep moving, keep producing, keep creating the newness that we seek. Right now and anytime is a good time for art. However, because the "Now" is loaded with so many other variables I believe it should be responded to with more factors if we are to balance the equation. Artists should respond by giving more of their hearts to their work and working their hearts out to touch hearts. We can inspire others to capture this moment, unveiling creative energy and expressions that have been suppressed, witheld, untapped, or just unseen until now. And when we do, when all of this is realized as more people allow themselves to be empowered by choosing creativity, we would not have only captured the moment and owned it, we would truthfully and sincerely be being the change we want to see...Now.